My new video series “Academ-Ink” presents academic workers with tattoos discussing their lives of balancing their interest in academia, ink, and subcultural fashion, as well as the nitty gritty details of labor in the university. (See call for participants) This video was presented at the International Visual Sociology Association conference in Evry, France, June 25-28, 2018. You can see the Prezi presentation here.
My article “Digital Nomads: Employment in the Online Gig Economy,” was published in Glocalism: A Journal of Culture, Politics and Innovation, Issue 2018, Vol. 1. (DOI:10.12893/gjcpi.2018.1.11).
Abstract: In 1997, Tsugio Makimoto and David Manners published their future-looking manifesto Digital Nomad that, decades later, would present as a manifesto for a lifestyle movement. At the time, businesses and the US government were interested in looking at tele-commuting, productivity, and work-family balance. Critiques of a neoliberal economy provide insight into understanding the context of freelance and online, piecemeal employment. This article examines the types of employment that digital nomads engage in, based on in-depth interviews with thirty-eight self-identified digital nomads. The participants mostly originate from wealthy, industrialized nations, and have many class privileges, but are underemployed compared to what their socio-economic status would historically suggest. As most participants are in the Millennial Generation, an overview of the shifting socio-economic status of this age-cohort is examined in the United States, United Kingdom, Australia, and the European Union – notably their high educational achievements and increasingly precarious employment status. Many of the nomads were working part-time with their own micro-business, with few able to maintain full-time employment. Few have benefits such as healthcare, retirement, unemployment insurance, or family leave. While “freedom” is touted as the benefit of gig-work, by both industry management and digital nomad enthusiasts, this lifestyle marks a shift towards precarious employment – itself not a basis for economic freedom, nor security.
Here is the link to the audio segment.
Or read here for the full text:
Record numbers of Americans are getting tattoos—at least twenty-five percent of the population now has at least one. And for the first time ever, women make-up over 50% of all collectors! My research focuses on this often-overlooked population. “Heavily-tattooed” women, who have large tattoos on “public skin,” and imagery not considered pretty, such as skulls or snakes, often face social sanctions. Women manage their tattoos to a greater extent than men, as being heavily tattooed goes against stereotypical expectations of what it means to be feminine. But the women themselves view their tattoos as something that makes them more beautiful and authentic.
For women tattoo artists, they face discrimination from both employers, and potential clients alike, similar to women in other male dominated professions. From male tattoo artists who refuse to take on women apprentices, to sexual harassment, and derogatory treatment in the workplace, women tattoo artists have had their own “Me Too” moment in their industry. Women artists may face clients who: overlook them as receptionists, do not want tattoos done by a woman, or think that women have a lighter touch with a tattoo machine.
With the sheer numbers of tattooed people in contemporary society, this research provides insight into understand the idea of “tattoo etiquette,” or how the public can most respectfully interact with people regarding their tattoo collections. By re-considering the reasons for questioning another’s body adornments, not touching, and understanding that tattoos are simple one manner of self-expression, observers can work towards lessening the social stigma surrounding women’s tattoo collections.
I was able to attend The Other Side of the Ink, a tattoo convention showcasing the work of women tattoo artists in Rome, Italy and the region, 24-25 February, 2018. I attended along with my colleague, anthropology professor Alessandra Castellani, who lives in Rome and who has published several books on tattoos and subculture over the years. I also interviewed her for my documentary on tattooed professors for which I am currently in production. Lots of big, bold, and black-out ink. Check out the pictures here.
I interviewed Dr. John Scott about his co-edited anthology, “Male Sex Work and Society.” This interview is for my online sociology course on the topic of deviant behavior and subcultures. In this video, Dr. Scott overviews some of the dominant social issues related to male sex work such as: sexuality and identity, decriminalization, the cost of criminalizing sex workers, sex tourism, gender and feminism, and female clients.
I was lucky enough to attend the Women Grow Leadership Summit 2018 in Denver, Colorado on February 1-2. For my research on women in cannabis, this conference is a central piece for understanding women’s role in the legal cannabis industry, which Jane West says may become the first big industry not dominated by men. I’m interested in continuing to find interviewees and research participants of women cannabis consumers and industry workers, in the United States, and especially, internationally. While the US now has 9 recreational states and over half of the states with medical marijuana laws, the rest of the world does not–although Canada is scheduled to come online with their recreational marijuana law nationwide this summer, which would leapfrog the US. How are women leading the cannabis industry and movement in other countries, such as in Europe, Australia, or New Zealand? Please contact me for an interview (email@example.com) to take part in this project. I aim to publish academic articles, conference presentations, and an academic book on the topic. Let’s add women’s voices to the academic narrative on cannabis! To see all the photos from the summit that I took, check it out here. Feel free to use photos with proper credit @ Beverly Yuen Thompson.
When we think of what college professors (or educators) look like, what comes to mind? For me, it’s my father–an old white male in his 90s. For someone like me, who is radically different than my father, but still a college professor, how do we navigate different identities as well as different visual self-presentations, including body modifications, in the world of education? How do we conceal or show our tattoos in the classroom, as well as other fashion choices that might conflict with the academic environment? How are such professional norms of attire expressed in this particular institution?
I am interested in finding research participants to discuss these sociological issues in relation to their own educational and academic professional experiences. The interview process can take place in person, on a video call, or a phone call, and will take approximately 60-70 minutes.
This research will be published in academic journal articles and a potential manuscript.
For this visually oriented topic, I will include a visual element to the research for select participants who are interested and can be accessed in person. I will collect photos of the participants and/or video segments for photo essays and/or short documentary films.
I previously published Covered in Ink: Tattoos, Women and the Politics of the Body (2015) about heavily tattooed women and tattoo artists. Before that, I completed the documentary film Covered (2010), on the same topic.
Please do contact me at firstname.lastname@example.org with your availability and manner of contact (Skype handle, etc.).
See questions here: questions
This project has been approved by Siena College IRB (# 03-18-018).
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